Well-Swept Yard

Among recent works exhibited by Ege Kanar is a remarkable series of portraits on glass called Mortals . Kanar is a photographer steeped in theory and philosophy. His work explores being, existence and the unfathomable relationship that photography has to being. He writes How can photography, a tool that is presumably incapable of depicting what is beyond the visible, that which lies not on the surface but beneath it, possibly be used to contribute to the formation of a new transcendent representative state, a hypothetical real, which exists beyond dualities such as visible or invisible? Mortals immediately reminds one of nineteenth century portraiture, that time when Europe and America celebrated the surface and rarely questioned what the surface really meant. I find that Kanar's Mortals journey back, taking with them the questions that should have been asked but were not. Because the surface ideas of photography's beginnings remain with us, Kanar's work is releva

A couple of months ago I signed up for a MOOC ( Massive Open Online Course) offered by the Harvard Divinity School and taught by Laura S. Nasrallah , Professor of New Testament and Early Christianity. I was enthralled, pulled in, captivated. From the syllabus The letters of Paul are the earliest texts in the Christian scriptures, written by a Jew at a time when the word “Christian” hadn’t yet been coined. What is the religious and political context into which they emerged? How were they first interpreted? How and why do they make such an enormous impact in Christian communities and in politics today? Nasrallah's scholarly passion comes through again and again especially in the numerous videos in the class. The introductory video is a good example. I will not describe the full course. You may still visit the archived portions of the course. I want to stress the value of the MOOC as a learning platform and from my point of view a learning platform perfectly suited for