Well-Swept Yard

" for birds sake ," an online exhibition by Cemre Yesil and Maria Sturm, begins with a statement offering a fascinating bit of history and contemporary politics: Since the time of the Ottoman Empire, Istanbul has been a very important city for aviculture. The city’s geographical location for bird migration has led to the establishment of a huge culture devoted to birds and their care. The photographers’ statement goes on to describe the purpose of the photographs: This work is about the birdmen of Istanbul and focuses on the shrouded relationship between the bird and the birdman, one full of contradictions of love, possession and pleasure. The birds compete to determine which has the most beautiful song of the day. The authors of the show put it this way:  an illegal tradition  an addiction a meditation Something they need in order to feel good. The first photograph shows two hands pulling apart curtains that hang over a birdcage. We can see past the do

Among recent works exhibited by Ege Kanar is a remarkable series of portraits on glass called Mortals . Kanar is a photographer steeped in theory and philosophy. His work explores being, existence and the unfathomable relationship that photography has to being. He writes How can photography, a tool that is presumably incapable of depicting what is beyond the visible, that which lies not on the surface but beneath it, possibly be used to contribute to the formation of a new transcendent representative state, a hypothetical real, which exists beyond dualities such as visible or invisible? Mortals immediately reminds one of nineteenth century portraiture, that time when Europe and America celebrated the surface and rarely questioned what the surface really meant. I find that Kanar's Mortals journey back, taking with them the questions that should have been asked but were not. Because the surface ideas of photography's beginnings remain with us, Kanar's work is releva

A couple of months ago I signed up for a MOOC ( Massive Open Online Course) offered by the Harvard Divinity School and taught by Laura S. Nasrallah , Professor of New Testament and Early Christianity. I was enthralled, pulled in, captivated. From the syllabus The letters of Paul are the earliest texts in the Christian scriptures, written by a Jew at a time when the word “Christian” hadn’t yet been coined. What is the religious and political context into which they emerged? How were they first interpreted? How and why do they make such an enormous impact in Christian communities and in politics today? Nasrallah's scholarly passion comes through again and again especially in the numerous videos in the class. The introductory video is a good example. I will not describe the full course. You may still visit the archived portions of the course. I want to stress the value of the MOOC as a learning platform and from my point of view a learning platform perfectly suited for

"What is art?" is a question impossible to answer. Eduardo Galeano avoided the question and wrote instead about the function of art. My favorite Galeano function is the first one in his Book of Embraces .  The Function of Art/1. Diego had never seen the sea. His father, Santiago Kovadloff, took him to discover it. They went south. The ocean lay beyond high sand dunes, waiting. When the child and his father finally reached the dunes after much walking, the ocean exploded before their eyes. And so immense was the sea and its sparkle that the child was struck dumb by the beauty of it. And when he finally managed to speak, trembling, stuttering, he asked his father: “Help me to see!” Eduardo Galeano, The Book of Embraces , page 17.